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                <title>L.A. Times - Movie News</title>
                <link>http://www.latimes.com/entertainment/news/movies/?track=rss</link>
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                        Headlines from latimes.com
                    
                    
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                <language>en</language>
                <copyright>©2009, latimes.com</copyright>
                
                
                <lastBuildDate>Sat, 7 Nov 2009 11:19:00 -0800</lastBuildDate>
                



                
                    
                    
                    
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    <title>

        Opening day: 'Christmas Carol' debut not looking too jolly</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/movies/~3/OIDtwqApFFI/la-et-ct-christmas-carol-nov7-link,0,2553956.storylink</link>

    <description>Pre-release surveys had indicated the movie would open to at least $40 million domestically over its first three days.
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        <pubDate>Sat, 7 Nov 2009 11:19:59 -0800</pubDate>
    

    



 
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    <title>

        Holiday season kicks off with Disney's pricey 'Christmas Carol'</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/movies/~3/c_XI5IWgAk8/la-et-projector-christmas-carol-link,0,51011.storylink</link>

    <description>Executives who follow pre-release polling say the movie will likely sell between $40 million and $45 million worth of tickets on its opening weekend.
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        <pubDate>Thu, 5 Nov 2009 15:01:58 -0800</pubDate>
    

    



 
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    <title>

        Grant Heslov, George Clooney team up for 'The Men Who Stare at Goats.'</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/movies/~3/KI76-G9pgfY/la-et-heslov7-2009nov07,0,5757055.story</link>

    <description>The director and the star have been friends and colleagues since the 1980s.
                        &lt;br/&gt;&lt;br/&gt;
                    
                    
                        It all started with an unlikely pairing of two unknowns. Back in the '80s, a couple of struggling actors named Grant Heslov and George Clooney were in Milton Katselas' famed acting class. Clooney asked Heslov, then a student at USC, if he wanted to do a scene from Neil Simon's Depression-era play " Brighton Beach Memoirs." Heslov agreed, playing the younger nerdy Eugene to Clooney's older sibling Stanley. Their chemistry worked, and shortly after, when Clooney was invited to audition for ABC, he brought Heslov along to repeat the scene.
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        <pubDate>Sat, 7 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        Alessandro Nivola: Man of a thousand accents</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/movies/~3/6Z5RXUrfcn4/la-et-nivola7-2009nov07,0,3266679.story</link>

    <description>American's ear for dialect makes him an in-demand character actor. He's Irish in the upcoming 'Turning Green.'
                        &lt;br/&gt;&lt;br/&gt;
                    
                    
                        "I don't see myself as having any integrity at all," says Alessandro Nivola through his roguish, close-toothed smile, toying with a glass of red wine. It's 11 in the morning at the Chateau Marmont, which probably feels earlier than in most other places.
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        <pubDate>Sat, 7 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        Robert Zemeckis' 'Christmas Carol': Bah humbug. Too many special effects</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/movies/~3/M82CPSAlFvQ/la-et-christmas-carol6-2009nov06,0,6424976.story</link>

    <description>Jim Carrey plays multiple parts in the motion-capture animated re-imagining of the Dickens' classic.
                        &lt;br/&gt;&lt;br/&gt;
                    
                    
                        Have you ever wanted to strangle a ghost?
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        <pubDate>Fri, 6 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        'Precious' cuts deep</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/movies/~3/Nc7GFaEV5Y4/la-et-precious6-2009nov06,0,7347190.story</link>

    <description>The heartbreaking, hopeful tale of an abused, pregnant teen should not be missed.
                        &lt;br/&gt;&lt;br/&gt;
                    
                    
                        Nothing quite prepares you for the rough-cut diamond that is "Precious." A rare blend of pure entertainment and dark social commentary, this shockingly raw, surprisingly irreverent and absolutely unforgettable story of an obese, illiterate, pregnant black Harlem teen circa 1987 is one that you hope will not be dismissed as too difficult, because it should not be missed.
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        <pubDate>Fri, 6 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        Review: 'The Men Who Stare at Goats'</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/movies/~3/iL99Vt5sI_Y/la-et-goats6-2009nov06,0,1975489.story</link>

    <description>This kinda true story of an experimental Army unit is a showcase for George Clooney  &amp;   Co.
                        &lt;br/&gt;&lt;br/&gt;
                    
                    
                        "The Men Who Stare at Goats" sounds like some ethnographic documentary about the bushmen of the Kalahari or the Bakhtiari herders of old Persia. Anyone expecting anything like that, or even a Disney family film like "Charlie, the Lonesome Cougar," is going to be surprised.
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        <pubDate>Fri, 6 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        Review: 'Turning Green'</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/movies/~3/FYlZv7wdiHU/la-et-green7-2009nov07,0,669359.story</link>

    <description>An unhappy teen seeking a way out of Ireland turns to illegally importing and selling porn magazines.
                        &lt;br/&gt;&lt;br/&gt;
                    
                    
                        "Turning Green," an amusing Irish coming-of-age comedy set in 1979, takes its title from the effect of chug-a-lug beer drinking upon 16-year-old James (gifted newcomer Donal Gallery). Pub patrons bet on his prowess, and James adds his winnings to the money he's trying to save up to get him and his younger brother, Pete (Killian Morgan), back to their native America. Six years earlier, after the death of their mother, their father shipped them off to three maiden aunts living in a coastal town as idyllic as it is boring for James.
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        <pubDate>Sat, 7 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        Reviews: 'Died Young, Stayed Pretty,' about rock poster artists, loses focus</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/movies/~3/H3WuAqKNyBA/la-et-capsules6-2009nov06,0,3550693.story</link>

    <description>Also reviewed: 'Looking for Palladin'; 'The Wedding Song'; 'Victory Day'; 'Yes Men Save the World.'
                        &lt;br/&gt;&lt;br/&gt;
                    
                    
                        Although "Died Young, Stayed Pretty," a documentary about the underground rock poster movement, begins with a freewheeling array of diverting poster graphics and provocative artist interviews, it soon becomes apparent that there's no real structure or point of view to it all. In fact, by the movie's frustrating second half, it's almost as if director Eileen Yaghoobian (who also produced, shot and edited) decided to become as anarchic as the art she features here and just cut together her remaining footage willy-nilly, viewer engagement be damned.
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        <pubDate>Fri, 6 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        Review: 'Araya'</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/movies/~3/LFsC_SMrpYY/la-et-araya6-2009nov06,0,4737187.story</link>

    <description>The 1959 film's style is dated, but it is visually glorious and tells a fascinating story.
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                        "Araya" has been hidden in plain sight for decades, which is especially ironic for a film whose glories are so visual. A critical sensation in Europe when it was released half a century ago, this insistently poetic quasi-documentary has until now not had the kind of proper American release that could put it on the map for domestic filmgoers.
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        <pubDate>Fri, 6 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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