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                <title>latimes.com - Arts&amp;Culture</title>
                <link>http://www.latimes.com/entertainment/news/arts/?track=rss</link>
                <description>
                    
                        Headlines from latimes.com
                    
                    
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                <language>en</language>
                <copyright>©2009, latimes.com</copyright>
                
                
                <lastBuildDate>Sun, 22 Nov 2009 00:00:00 -0800</lastBuildDate>
                



                
                    
                    
                    
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    <title>

        Kandinsky retrospective is natural for Guggenheim</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/arts/~3/2DCQ6yKuUjo/la-ca-kandinsky22-2009nov22,0,3020596.story</link>

    <description>An exhibition of oil paintings by the abstract artist celebrates the museum's 50th anniversary.
                        &lt;br/&gt;&lt;br/&gt;
                    
                    
                        "Kandinsky," the big exhibition of 95 oil paintings made between 1902 and 1942 by the visionary pioneer of abstraction, Vasily Kandinsky, is a show that looks like it was made expressly for the spiral ramp of the Guggenheim Museum. That's because in a sense it was.
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        <pubDate>Sun, 22 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        Simon Rattle wins over the Berlin Phil and its fans</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/arts/~3/IxGdF7PLKro/la-ca-berlin22-2009nov22,0,2433019.story</link>

    <description>After becoming the orchestra's principal conductor in 2002, the Englishman has endured a rocky interlude but wins a contract extension through 2018.
                        &lt;br/&gt;&lt;br/&gt;
                    
                    
                        In April 1989, the glamorously autocratic Herbert von Karajan resigned from his post as music director of the Berlin Philharmonic, the West German ensemble he had led for 35 years and made into the most brilliant orchestra the world had ever known. In July, he died. On Nov. 9, the Berlin Wall came down.
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        <pubDate>Sun, 22 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        Domestic drama: Lee Strasberg's family continues the legacy of instruction, despite some friction</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/arts/~3/ez9BwOW6Tso/la-ca-the-method22-2009nov22,0,3365480.story</link>

    <description>Although his widow and sons disagree on Method acting's techniques, the craft's principles are the same, they say.
                        &lt;br/&gt;&lt;br/&gt;
                    
                    The Method is dead. Long live the Method. ¶ Spend an afternoon with David Lee Strasberg, the ambitious 38-year-old son of legendary acting guru Lee Strasberg, and you just might walk away with the idea that something revolutionary is going on at the  Strasberg Theatre &amp; Film Institute . That would be overstating matters. This family-run school with flagships in West Hollywood and New York still finds its raison d'être in what Strasberg himself identified as the training of the actor's internal skills. But the vision of the Method being articulated at the institute, observing its 40th anniversary this year, seems to have little to do with the stereotype of sweaty, mumbling actors wallowing in the muck of unhappy childhoods. ¶ Dressed in preppy clothes that hint at his undergraduate days at  Brown , Strasberg  fils , the institute's CEO and creative director (whom I'll refer to as DLS), says that the Strasberg approach -- the best known of the American adaptations of the Stanislavsky "system" commonly grouped together as the Method -- is less reliant on psychobabble than most people believe. The words "Oedipal Complex" never pass his lips. But more interesting is the way developments in neuroscience keep cropping up in his conversation. Don't bother telling him about the toy your parents didn't buy you, but do engage him on the subject of conditioned reflexes and the neuropsychology of smells.
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        <pubDate>Sun, 22 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        Music review: Gustavo Dudamel and Gil Shaham play Mozart and Berg</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/arts/~3/gihznVLZJ-g/la-et-laphil21-2009nov21,0,4909601.storylink</link>

    <description>Youth strikes Viennese flair at L.A. Phil concert
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        <pubDate>Fri, 20 Nov 2009 15:05:07 -0800</pubDate>
    

    



 
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    <title>

        Performa '09 and futurism</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/arts/~3/cJLMmxQdS1g/la-ca-performance22-2009nov22,0,3946152.story</link>

    <description>The centennial of the Italian movement, which advocates the art of action and public confrontation, has been the focus of this year's incarnation of Performa in New York.
                        &lt;br/&gt;&lt;br/&gt;
                    
                    
                        A decade ago, art historian and  impresario RoseLee Goldberg, who literally wrote the book on performance art -- "Performance Art: From Futurism to the Present," first published in 1979 -- found herself being pushed by her publisher for an updated version to write less about history and more about the next big thing. Unfortunately, she felt "the performance scene was just rehashing what had been happening in the '70s and '80s," recalls Goldberg. "If I saw one more monologue, I thought I would scream."
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        <pubDate>Sun, 22 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        Los Angeles County Museum of Art is hard hit by recession</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/arts/~3/rXxglzm9G-0/la-et-lacma21-2009nov21,0,538204.story</link>

    <description>Its investment portfolio fell 23% and the museum drew $100 million less in donations in 2008-09.
                        &lt;br/&gt;&lt;br/&gt;
                    
                    
                        The Los Angeles County Museum of Art saw its investment portfolio lose nearly a quarter of its value during its 2008-09 fiscal year, which coincided with the worst worldwide financial debacle since the Great Depression.
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        <pubDate>Sat, 21 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        Theater project holds a mirror up to the recession</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/arts/~3/nsJSOnU5VL4/la-na-recession-plays20-2009nov20,0,6588202.story</link>

    <description>'The Great Recession,' premiering off-off-Broadway, brings together six up-and-coming playwrights and a troupe of unpaid young actors. Waiting in the wings are their own real-life hard times.
                        &lt;br/&gt;&lt;br/&gt;
                    
                    
                        Two young actors are rehearsing a pivotal fight scene in a new short play opening tonight at a small theater in Lower Manhattan. They are portraying out-of-work laborers from the Midwest who have been flown to New York to participate in a kill-or-be-killed social experiment that earns the survivor $25,000.
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        <pubDate>Fri, 20 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        Movie review: 'La Danse: The Paris Opera Ballet'</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/arts/~3/W8kG8bMOZQ0/la-et-danse20-2009nov20,0,2565230.story</link>

    <description>'La Danse' is balletic in its portrayal of the art.
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                        Frederick Wiseman's new portrait is balletic in its portrayal of the art.
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        <pubDate>Fri, 20 Nov 2009 00:00:00 -0800</pubDate>
    
    

    



 
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    <title>

        LACMA loses 23% of its investments in meltdown year</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/arts/~3/nLiE7oKO0Rk/la-et-lacma21-2009nov21-sl,0,2781395.storylink</link>

    <description>Additionally, the musuem saw donations shrink from $129.7 million to $29 million.
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        <pubDate>Fri, 20 Nov 2009 12:51:08 -0800</pubDate>
    

    



 
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    <title>

        Theater review: 'Equivocation,' where double talk is the thing</title>
       

    
    
 
     
    
    
        	 
        	       


    <link>http://feeds.latimes.com/~r/latimes/entertainment/news/arts/~3/ntDbJXlgzls/la-et-equivocation20-2009nov20,0,6431956.storylink</link>

    <description>Bill Cain's ambitiously sprawling work of historical fiction starring the Bard himself opens at the Geffen.
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        <pubDate>Thu, 19 Nov 2009 16:03:34 -0800</pubDate>
    

    



 
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